TopStreetwear asked:

As you should know, Top Streetwear celebrates 20 years in the market this year as the biggest urban streetwear e-shop in Scandinavia. Therefore, we celebrate with a lot of news and updates. Here is the first TV-advertisement for Top streetwear. Beat by legendary Masse Beats from TSB (The Salazar Brothers) Freestyle by the superstar Pato Pooh. Directed by veteran Jay “Veesualz” Vasquez. www.topstreetwear.com

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TopStreetwear asked:

Report for Finnish Channel YLE news as seen on TV 2009.04.07.

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vetementstreetwear asked:

eh-ho.com, vêtement, streetwear, mode ghetto, tendance, ehho: veste capuche, tee shirt, casquette, sweat, accessoire, homme femme enfant

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f4n80s asked:

lady gaga Fashion lyrics Ohhh Ohhh La La La I am, I’m too fabu-lous I’m so fierce that it’s so nuts I live, to be model thin Dress me, I’m your manne-quin J’adore Vivienne I really want. Pucci, Fendi, and Prada. Valentino, Armani too. Madame love them Jimmy Choo…

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prepz1515 asked:

Straight Jacket Fashion by Chevelle, from Vena Sera

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tylermoore asked:

Artist: Matt and Kim Song: Good Ol’ Fashion Nightmare Track: 3 Album: Grand Download: www.mediafire.com

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lilaputavaga asked:

Videoclip. Adoro Suede.

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HausGaGa asked:

LETTER TO GAGA OMG. So you guys I gave her the book! img.photobucket.com img.photobucket.com img.photobucket.com We waited in line since 8am. Gaga came in a black car around 3pm. We ran up to it, and she went into this big tour bus. The security guy said she is very tired and not feeling good, cuz she had a lot of shows. So she got out and blew a kiss at us, and said hi and went in. I had my book with me (the present) and asked her security guy if he could give it to her. He promised me he …

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Rick Reynolds asked:


Get ready, America – a brand, new kind of entertainment magazine, The Wave, is rolling ashore, and its arrival is already proving to be exciting and loud.

Challenging the traditional entertainment-and-lifestyle genre of other magazines with its decidedly “street” attitude towards pop-culture reporting, young audiences will appreciate The Wave, which boasts new and established writers and reporters. Don’t look for tired, regurgitated, wire-service reprints about American Idol, Paris Hilton or Lindsay Lohan at this cutting-edge publication.

Though much of The Wave will be aimed at the hip-hop youthof America, they will also offer serious, contemporary pieces for the golden 18-49 demographic.  The premiere, online issue, which can be seen at www.thewavemag.net, will appeal to almost every taste.  There is lifestyle reporting, recording-industry insider information with artist N.O.R.E and producer Dame Grease, an interview with Dreamgirls cast member Keith Robinson, fashion info about Pam Sutherland’s Sagg Wear clothing line, and a refreshing piece about sexy newcomer, actress/model Jainmy Martinez.  There are movie reviews of Twilight, Four Christmases and The Changeling.  Sports, politics and tantalizing romantic advice round out the premiere.

Perhaps the biggest advantage The Wave has going for it is that it will potentially become the first, major magazine in America to introduce large, non-urban audiences to urban and ethnic music, fashion, attitudes and movements.  This is adventurous, new territory in publishing, indeed.

President Tara Thomas and senior editor Sean Richards are preparing right now for the launch of the print edition, and major events are scheduled for March 9th, 2009.  They promise more treats in the immediate future for the mind and the eyes.  Thomas and Richards actually invite reader input and commentary, via the website.

With an insider’s edge on entertainment reporting, especially hip-hop’s hottest, new artists and performers, The Wave’s interpretation of our brave, new world will be the publication to watch in the weeks and months to come.



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Christina Pomoni asked:


The first thing that comes to my mind when reading this question is that music is a reflection of social status. It randomly creates new mindsets. Instead, it always echoes the reality of an era.

Hip hop culture emerged from the ghettos of New York City in the 70s. Reflecting the despair of African Americans in the changing urban culture of the United States and their associations to poverty, criminality, police brutality and unemployment, hip hop visualized the American dream as a new cultural influence. Through the conception of stereotypes and role models, hip hop has viewed broadly the post-civil rights of the black America producing a new music genre to express political views, opposition and controversy.

Hip hop soon became a massive cultural fact. Young people found a way to express themselves through distinctive clothing, hairstyle and artwork, conveying a new radical ethos generated from hip hop emcees. There is no doubt that many hip hop songs tell stories about sex, drugs, and violence in the black hoods of the East and West Coast. Yet, hip hop did not convey violence. Instead, it has tried to voice the oppression of African Americans and their need for civil rights in a society full of negative stereotypes.

Opposition and controversy always occur as a result of an oppressive political system. Black America in the 70s was heavily mistreated by police and society and black people needed a way to respond to those violent beatings. Being highly-politicized, the hip hop emcees dared to raise their voices against the White America. Being, indifferent of the impact of its governmental practices to the black society, White America got annoyed of this supposed outbreak of Black violence against commercialism and political correctness. In the fear of getting exposed, it accused the lower black classes for violence, anti-establishment behavior and anti-conventional ethos.

The same happened in the UK in the mid 70s. The only difference is that the punk movement did not include black people, but white young kids, who, being angry on the system, managed to convert anarchy and chaos to genuine political philosophy. Yet, the attitudes of that rebellious youth were secured only in their shocking and outrageous music, rather than in social acceptance and justification.

The truth is that music cannot – at any point – create violence. Instead, it expresses politically conscious views with its unique way of mapping the perplexity of the existing political landscape and forcing it to make sense. It makes no difference if it is about hip hop, punk or rock & roll. What it matters is if the political landscape respects all its members regardless of race, religion and political beliefs.



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